Is littered with references to “Relics from the dark times”, the NesteneĬonsciousness, the Racnoss, the Great Vampires, the Earth Corporations, andĮven the Great Old Ones from the novels and audios. Three months (by the way, wasn’t the winning Least thrown in as many bits of fanwank as he could get away with toĪppease sad gits like me who sat through Totally Doctor Who for And in fairness to the man, Barnes has at The course of thirteen weeks, you’re hardly going to bash More importantly, string together a plot that will not lose the viewer over If youĪ story around a cliffhanger every three minutes and, The blame can be laid at the door of Barnes though. ‘proper’ episode of Doctor Who and yes – I know – it isĬhildren’s cartoon and not a ‘proper’ episode of Doctor Who, but that’s This production feels much more like an out and out children’s cartoon than it does a
Have easily been as good as any live action episode. Even – in the fifty-minute ‘omnibus’ version atĪs usual, only animated where appropriate.įor the dumbed-down content, The Infinite Quest could The Doctor and Martha are recognisably the Doctor and I love the style in which it is done distinctive, but not tooĮxperimental or manga.
Invasion, Firestep’s animation is absolutelyįirst-rate. Transition to animation – if you close your eyes itĪnd, as with the recent reconstruction of Furthermore, Murray Gold’s score also helps to smooth the Way curtailed by their reduced input, which should not be surprising reallyĬonsidering that Tennant has a number of Big Finish audio dramas under Gary Russell – an inspiredĭone a sterling job in overseeing David Tennant and FreemaĪgyeman’s transition into the animated world. Impressed with the quality of the production. Originally aired as a series ofĮpisodes over the course of the 2007 season of Totally Doctor Who,Īlan Barnes’ first contribution to the revived series is a story that seemsįar more at home under the auspices of CBBC than it wouldīe on BBC One’s Saturday Night prime time line-up.
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